Detroit native brings 'Revolutionary Times' to the Flint Institute of Arts
Check out the video interview here
Check out the video interview here
Not every show that opens at the Cranbrook Art Museum unfolds like a modern mystery and highlights a budding star of the next generation of Detroit artists — but maybe all the great ones do.
Two exhibitions kicking off the Cranbrook Art Museum’s fall season aim to cement the reputations of the contemporary artists defining the city today and to showcase the groundbreaking artist whose influence on those very painters goes largely unappreciated, locally and beyond. Both shows, Skilled Labor: Black Realism in Detroit and LeRoy Foster: Solo Show, open on Oct. 28.
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Portraits on university campuses usually portray school founders, presidents and donors.
But at Princeton University, portraits of blue-collar campus workers are now taking center stage. A new set of paintings are offering a fresh perspective on the working class, racial struggle and empowerment at the Ivy league school.
Mario Moore, the artist behind the paintings, views his artwork as more than just decoration. By showcasing the university's workers, he wants to pay tribute to them and "put them in positions of power," he told CNN.
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Rising painter Mario Moore’s latest solo exhibition, “Recovery”, is a thought-provoking study of an emotional walkthrough of his recent journey back to health after undergoing an awake neurological surgery. Taking place in the artist’s hometown of Detroit, at David Klein Gallery on June 30, the stirring show features works of silverpoint drawings, large-scale oil paintings on canvas and copper, and video to explore themes surrounding the treatment of black male bodies in America, in art and medicine.
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